He is self-taught on all of these instruments. He plays on his own solo albums, several Who albums, and as a guest contributor to an array of other artists' recordings. Townshend has also contributed to and authored many newspaper and magazine articles, book reviews, essays, books, and scripts, and he has collaborated as a lyricist and composer for many other musical acts. Due to his aggressive playing style and innovative songwriting techniques, Townshend's works with the Who and in other projects have earned him critical acclaim. In 1983, Townshend received the Brit Award for Lifetime Achievement and in 1990 he was inducted into the Rock and Roll Hall of Fame as a member of the Who. 3 in Dave Marsh's 1994 list of Best Guitarists in The New Book of Rock Lists. In 2001, he received a Grammy Lifetime Achievement Award as a member of the Who and in 2008 he received Kennedy Center Honors. 10 in 's 2011 list of the top 50 guitarists, and No. 10 in Rolling Stone 's updated 2011 list of the 100 greatest guitarists of all time. He and Roger Daltrey received The George and Ira Gershwin Award for Lifetime Musical Achievement at UCLA on. Falconhead is one of a handful of films that seriously and artistically attempt to bring grandeur, beauty, and complexity to the blue movie, which makes it an exceptional film in the vintage gay porn genre.Townshend was born in Chiswick, west London at the Chiswick Hospital, Netheravon Road. The final man to find the mirror, Vince Perilli, does not fare as well as the other men - his story ends with a twist. Johnson lies on his back and spreads his tree trunk thighs - his greasy pink hole, so perfectly tight and framed by faun-colored fur, pulses for some penetration. Rich Johnson, a most husky and furry hottie in a black leather hood joins Dietrich.
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He takes it home and is immediately compelled to strip down, smoke a joint and strap on a cock ring. He chooses the mirror from a smarmy queen of a proprietor. Later, Joe Dietrich, a cut and sculpted blonde, browses an antique shop. Lee's fantasy man appears at this point to kiss his semen-encrusted mustache and take him from behind. Once inside, safe from Satan's minion in the form of a property owner, Lee squats in front of the mirror kneading his humongous schlong. His portly warlock of a landlord confronts him with an accusation of theft and a curt request for the rent. Next, lean, mustachioed Anthony Lee carries the mirror to his home. The mystery man drinks down every teaspoon of jizz.
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A hung fantasy hunk materializes before Wade, takes his dick into his mouth, and ever so lovingly sucks forth Wade's juices. He pumps his hearty hog with his fist in front of a pink Iight-each stroke an important part of some mystical ritual. Wade sensually rubs his body as the camera captures beads of sweat in lickable close-up. Adrian Wade gazes into the mirror and is bathed in smoky red light, his moist body almost glowing.
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The Falconhead appears out of nowhere, clad in black robes that look oddly medieval and presents an ornately framed mirror to the prostrate man, pushing his face into it with his shiny black boots. Like something out of a Greek tragedy, a naked man lies spread-eagled on his stomach on the centre of a ceremonial plaza. A film like this, however dripping with artifice, is a rare treat, and every lover of erotica should see it at least once. Falconhead features a fearsome bird-headed man with magical powers, a possibly nefarious shaman/landlord, stunningly photographed solo sequences, deliciously ambiguous sexual threats, and lots of gooey gooey cum eating. Using a mirror as primary inspiration, director Michael Zen draws from a deep well of symbol and myth to bring back an electrifying erotic experience.